Thomas,
this solves the problem. Chaning the order of cadenzaOff and melismaEnd
removed the misinterpretion of the lyrics. The cadenzaOff must be placed one
measure for the next bar. Setting a manual bar is just smart although
unexpected (*). Another advantage I see is that the lyrics don't need to be
tweaked.
Thanks
Helge
(*) "Nobody expects the Spanish Inquisition" ,-)
-----Ursprüngliche Nachricht-----
From: Thomas Morley
Sent: Monday, July 09, 2012 10:04 PM
To: Helge Kruse
Cc: Phil Holmes ; lilypond-user@gnu.org
Subject: Re: lyrics in cadenza
2012/7/9 Helge Kruse <helge.kr...@gmx.net>:
Hello Phil,
thanks for reply. I tried to fix this with \skip as well as with \melisma.
Unfortunately both failed.
When I use \skip I get near to the expected result. Inside the cadenza I
have to use manual beaming. As long as I leave the last four quavers
without
beaming brackets Lilypond sets the lyrics fine. When I try to put the
brackets to the quavers, the lyrics disappear although I adapt the \skip
repeat count accordingly.
When I use \melisma and \melismaEnd I get the same bad result as I got
with
the slur. Removing the cadenza lets the lyrics appear. But there is really
a
cadenza. (see autograph)
Additionally the first variant with \skip compiles completely different
with
Lilypond 2.14.2. It has the same lyrics problem, but the strange line
break
is new with 2.15.40.
Regards
Helge
\version "2.15.40"
soprano = \relative c'' { % to be connected with \skip in the lyrics
\key d \major \clef soprano \time 2/4
r8 e d c |
b \cadenzaOn g'~\fermata g16[ fis a g] fis[ e d c] b[ c d c] b[ a g fis]
e8
c' b \cadenzaOff a g16. a32 a4\trill
| d,4 r
}
sopranoMel = \relative c'' {
\key d \major \clef soprano \time 2/4
r8 e d c |
b \cadenzaOn \melisma g'~\fermata g16[ fis a g] fis[ e d c] b[ c d c] b[ a
g
fis] e8[ c' b \cadenzaOff a] g16.[ a32] \melismaEnd a4\trill
| d,4 r
}
sopranoWords = \lyricmode { zu neu -- en Freu -- { \repeat unfold 10
\skip
1 } den wach. }
sopranoMelWords = \lyricmode { zu neu -- en Freu -- den wach. }
\score { <<
\new Staff { \new Voice = "one" \soprano } \new Lyrics \lyricsto "one"
{
\sopranoWords }
}
\score { <<
\new Staff { \new Voice = "two" \sopranoMel } \new Lyrics \lyricsto
"two"
{ \sopranoMelWords }
}
----- Original Message -----
From: Phil Holmes
Sent: Sunday, July 08, 2012 10:49 PM
To: Helge Kruse ; lilypond-user@gnu.org
Subject: Re: lyrics in cadenza
1) Lilypond reports that it finds an unlimited hyphen. It removes the
hyphen as well as the remaining text.
2) I need the slur to indicate that the notes belong to one syllable.
That's okay, so Lilypond knows how long the coloratura should be. But
I would like to hide the slur, since the singer doesn't need it. The
autograph doesn't have a slur anyway. Can you help hiding it?
Please check the documentation for \skip or \melisma which should do what
you want.
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Hi Helge,
how about:
\version "2.15.39"
sopranoMel = \relative c'' {
\key d \major
\clef soprano
\time 2/4
r8 e d c |
% ensure that there's no Break
\noBreak
\cadenzaOn
b \melisma g'~\fermata
g16[ fis a g]
fis[ e d c]
b[ c d c]
b[ a g fis]
e8[ c' b a]
g16.[ a32] \melismaEnd
a4\trill
\bar "|"
\cadenzaOff
d,4 r
}
sopranoMelWords = \lyricmode { zu neu -- en Freu -- den wach. }
\score {
<<
\new Staff
\new Voice = "two" \sopranoMel
\new Lyrics \lyricsto "two" \sopranoMelWords
>>
}
HTH,
Harm
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