I tried partcombine as in the "SATB with piano reduction" example in http://lilypond.org/doc/v2.14/Documentation/learning/vocal-ensembles
But I'd like to have two symbols (one stem up and other down) when the same note is singed by S/A or T/B. Partcombine turns into a single note. tks Felipe On Tue, Mar 13, 2012 at 2:49 PM, Francisco Vila <paconet....@gmail.com>wrote: > 2012/3/13 Felipe Pereira <felmas...@gmail.com>: > > Hello, > > > > I'd like to write this song with Lilypond: > > http://www.taize.fr/spip.php?page=chant&song=203&lang=en > > (in fact I'm writing with portuguese lyrics) > > > > Just so you don't need to click the site, here's the problem. Many of > these > > songs have identical rhythm, except for some parts. When the rhythm is > the > > same, I want to have same stem direction (may be neutral), because all > > originals are like this and seems to be easier to read than with four > > separated voices with opposite stems. When the rhythm is not the same, I > > want to fallback to 1-2-3-4 voices being S=stemUp, A=down, T=up, B=down. > > % \partcombine usually helps > > primera = \relative f { e'4 e e e } > segunda = \relative f { c'4 c8 d c4 e } > > { > \partcombine \primera \segunda > } > > -- > Francisco Vila. Badajoz (Spain) > www.paconet.org , www.csmbadajoz.com > -- Felipe
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