Hello Eluze, thanks for your quick reply!
Eluze wrote: > > why do you specify once \override Stem #'direction = #up each time? > with \voiceOne or \voiceThree this happens automatically! > and with \voiceTwo all stems (and other grobs) are directed down! > The snippet comes from a generated file therefore it is not optimized for readability. If you remove all stem direction overrides except for the half note, the problem persists. Eluze wrote: > > look for inner voices in > http://lilypond.org/doc/v2.15/Documentation/notation-big-page#collision-resolution > and how voices should be arranged. > Thanks for the link. The best solution I found was using \shiftOff for the half note. I would have preferred the half note be placed to the right of the colliding chord instead of merging it with the chord, but this is a working solution. Here is the result: { \new Staff << \key c \major \time 4/4 \clef violin \new Voice { \voiceOne % 38 b'8\trill r8 cis''8.[ \( bis'!32 ( cis''32] ) \) dis''8 r8 e''8.\trill [ \( dis''32 ( e''32] ) } \new Voice { \voiceTwo % 38 < dis' fis' > 8 s8 ais'!4 b'!8 s8 < fis' cis'' > 4 } \new Voice { \voiceThree % 38 s4 \shiftOff \once \override Stem #'direction = #down fis'2 s4 } >> } -- View this message in context: http://old.nabble.com/collision-of-notehead-and-stem-tp33458484p33459365.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
