On 06/01/12 19:33, Werner LEMBERG wrote:
Moving the engraver to the voice context gives rise to a new set of problems:Good idea, thanks, but this completely prevents alignment of dots.No no, dots in a chord, within one voice, are still aligned.OK.Remember that dots are not supposed to be aligned between separate voices[1].Interesting. However, if the dots' distances are not too far away from the stem, the excellent Bärenreiter edition of the Bach Chaconne *does* align them, even if they are in different voices. Note that this is a manually engraved edition from 1959 or so.LilyPond is wrong to align dots from different voices, but doing so helps her handle the cases where note-heads collide between opposite-stemmed voices. If you are still working on the Bach Partita, then to my eyes Dot_columns for each voice gives a *much* better result.
\version "2.15.23" \score { \new Staff { \relative c'' { << { <a e'>4. } \\ { <g cis,>4. } >> } } } \score { \new Staff { \relative c'' { << { <a e'>4. } \\ { <g cis,>4. } >> } } \layout { \context { \Staff \remove "Dot_column_engraver" } \context { \Voice \consists "Dot_column_engraver" } } }
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