Hi Peter,
> Hm... I'm not sure if I completely understand you
Something like this:
\version "2.14.1"
\paper { ragged-right = ##f }
global = {
\key c \major
\time 2/4
}
sopranoNotes = \relative c'' {
<<
{ \voiceTwo \times 2/3 { a4 a a } }
\context Voice = "sopranoOneVoice" { \voiceOne \times 2/3 { c4 c d } }
>> \oneVoice |
b2 b
<<
{ \voiceTwo \times 2/3 { a4 a a } | g2 }
\context Voice = "sopranoOneVoice" { \voiceOne c4 c | c2 }
>> \oneVoice |
b4 b b2 |
}
sopranoWords = \lyricmode {
Here are the main words.
Sep -- a -- rate here.
go -- ing on…
}
sopranoUpperWords = \lyricmode {
words on top
and a -- gain
}
\score {
<<
\new Staff = "sopranoStaff" <<
\new Voice = "sopranoVoice" << \global \sopranoNotes >>
\context Voice = "sopranoOneVoice" << \global s4*2*3 >>
>>
\new Lyrics \lyricsto "sopranoVoice" \sopranoWords
\new Lyrics \with { alignAboveContext = "sopranoStaff" }
\lyricsto "sopranoOneVoice" \sopranoUpperWords
>>
}
> Artificially keeping the sopranoOneVoice context alive might perhaps
> be another approach, but I suspect that'd mean I wouldn't be able to
> use \oneVoice and have proper "unison" sections - I'd instead have to
> have all the (fake) "unison" sections be part of voiceTwo, so stems
> would always point down.
Does my snippet solve your issue?
Note the use of \context instead of \new -- that (if I understand my own
Lilycode correctly) is important.
Hope this helps!
Kieren.
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