On Apr 9, 2011, at 7:08 PM, ivan.k.kuznet...@gmail.com wrote: > > > I have my first page of music notated with lilypond here: > > http://www.flickr.com/photos/61572029@N04/5603253711/ > > > > CONCERNING area's marked in red A1 and A2: > > Sometimes I require one note to have two stems indicating > that the note belongs to two voices. A2 worked out > as I intended but for A1, ideally I would just like the > half-note G# visible and the triplet eighth-note G# invisible, > so that the first stem of the triplet is the a stem > attached to the half-note G# (and the half-note G# still has > its downward stem also). How can this be achieved? >
\mergeDifferentlyHeadedOn > > CONCERNING the area's marked B1, B2, B3, and B4: > > Look at B1 for example. The triplet bracket circled is > too short, I want all triplet brackets to take the "entire > duration", not just go to the last stem. \set tupletFullLength = ##t \set tupletFullLengthNote = ##t > > Also, in the special case of B1, where I have two > voices each with a triplet, notationally only one > bracket is necessary. Is there any way to make one > of the bracket's "invisible" (like an "s" rest)? > \once \override Voice . TupletBracket #'transparent = ##t > > CONCERNING the area's marked C1, C2, and C3: > Can I tilt the right side of the triplet bracket > down at C1 and C3? At C2i, can I tilt the > left side of the beam upwards so it is over the rest? > This I'll leave for someone else - I can think of kludgy ways to do it, but there may be more elegant ones. Cheers, MS _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
