On Wed 23 Mar 2011, 01:57 Graham Percival wrote: > If you look at an opera from a > certain time period and certain country, the bass singer is always > the bad guy, the tenor is always the good guy, the soprano is > always the love interest, etc. Ha-ha :-)
> Pop music (and thus a lot of Vocaloid stuff) gets a bad rap for > using the I IV V I chord progression a lot, but I don't see that > amount of predictability to be any worse than classical music's > predictability of beat strength in 4/4 time > (strong-weak-medium-weak). Well, yes, i see: 1342 is not too bad; but really creative engine should fire it's pistons in unpredictive sequence ! Sorry, i was too boring; thank you .) ps. refrain: "and sorry for my english!" -- at least "to fire pistons" looks ugly for me, but i don't know how this should be said. pps. well... once more :O) Clown Would you have a love-song, or a song of good life? SIR TOBY BELCH A love-song, a love-song. SIR ANDREW Ay, ay: I care not for good life. -- Dmytro O. Redchuk Bug Squad _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
