>From the docs on quoting other voices: Only the contents of the first Voice occurring in an \addQuote command will be considered for quotation, so music cannot contain \new and \context Voice statements that would switch to a different Voice.
Here's a short example: \version "2.13.9" violinsA = \relative c' { c4 d e d %divisi %Explicit voicing breaks cue notes. << {\voiceOne e f g f} \new Voice {\voiceTwo c4 d e d} >> \oneVoice c d e d c1 } violinsB = \relative c' { c4 d e d %divisi %This doesn't break cue notes. << {e f g f} \\ {c4 d e d} >> c d e d c1 } \addQuote violinsA \violinsA \addQuote violinsB \violinsB asdfA = { R1*2 \cueDuring #"violinsA" #UP {R1*2} } asdfB = { R1*2 \cueDuring #"violinsB" #UP {R1*2} } \score { << \new Staff { \asdfA } \new Staff { \asdfB } >> } Why does 'B' work if the << // >> notation is just shorthand for creating new voices? I'd much prefer to use the 'A' version so I can have slurs and other things carry on easily past the divisi. Any ideas on the best way to work around this limitation? Thanks. -----Jay _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user