> ------- Original Message -------
> From: Philip Potter <philip.g.pot...@gmail.com>
> To: m...@owainsutton.co.uk
> Sent: 11.12.09, 13:20:43
> Subject: Re: triple stop warnings
>
> 2009/12/11 Owain Sutton <m...@owainsutton.co.uk>:
> > I realise now I've checked that the Tchaikovsky does have rests in the
> > lower 'voice'. The Stravinsky doesn't, however, - but you can just
> > about make it out here, at figure 2:
> > http://www.sheetmusicplus.com/look_inside/5867960/image/262798
>
> How about this? First two chords of Elgar cello concerto:
>
> \relative c {
> \clef bass
> <<
> {
> \voiceOne
> <e b'>2
> <g e'>2
> }
> \new Voice {
> \voiceTwo
> <g, e'>16 s16 s8 s4
> <e b'>16 s16 s8 s4
> }
> >>
> }
>
> Basic idea is using multiple voices to represent the different chord
> parts, and hiding rests by using the 's' spacer (invisible) rest. A
> little clunky with quite a lot of syntactic cruft; I don't know
> lilypond well enough to say if there's a better way of doing it.
>
> Phil
>
>
>
I normally use the polyphony construct for this. Try using
<< { <e g,>2.\fermata } \\ c,4 >>
No need for skips or rests and you shouldn't get any warnings. Hope this helps,
although I'm not clear about the dot issue.
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