Marc Hohl wrote: > > Stjepan Brbot schrieb: >> Kieren MacMillan wrote: >> > You have to remove the \germanChords command, then the bass is not > shown as "fis", but as "F#", as you want. > > As Mats has written, insert > \override Score.RehearsalMark #'break-align-symbols = #'(clef staff-bar) > at the beginning, then it works (Strangely, \override > Score.RehearsalMark #'break-align-symbols = #'clef > doesn't work, but I don't know why.) > > Marc > >
Thanks Marc, indeed if I remove \germanChords I get F# as Bass in chords. OK in this particular case (song) german chord representation is not needed because there's no H chord but in general I'd like to have german chords representation (H instead of B and B instead of Bb) and basses in chords represented like F#, Gb, H etc. How to achieve this? Also, how to achieve "dim" instead of "o" in chords? Yes, I inserted: \override Score.RehearsalMark #'break-align-symbols = #'(clef staff-bar) and it works. I have problem with understanding the position/scope of these and similar commands. I inserted it at the very beginning of my lilypond code and it works here but I have no idea why and when something should be inside \chords {} \addlyrics {} or other scopes (inside/outside {}). -- View this message in context: http://www.nabble.com/Bass-in-Chord-Name-tp23429277p23519588.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user