Hello all, One of the delights to see in the News for 2.12 was the new material on quarter-tone and other microtonal notation. However, I have one problem...
The standard Lilypond quarter-tone notation uses pitches -is and -es (sharp and flat), -ih and -eh (quarter-tone sharp and flat) and -isih and -eseh (three-quarter sharp and flat). This is fine with the standard quarter-tone accidentals but arrow notation allows for more flexibility: you can have -iseh (sharp, a quarter down) or esih (flat, a quarter sharp), and these are not necessarily the same as -ih or -eh, just as D-flat is not necessarily the same as C-sharp. Anyway, from looking at the Makam example it's apparent how to define arbitrary pitch names to associate with given microtonal alterations; it would be easy to define -iseh and -esih. What I don't understand is the glyph definition, which appears to associate a given alteration uniquely with a given accidental. So, for example, a pitch alteration of -1/4 can apparently only be associated with one accidental even though theoretically it could be represented by _either_ a natural sign with a down-arrow or a flat sign with an up-arrow. The 'if' statements from makam.ly don't give any clue because as far as I can tell they relate to a predefined static term (in this case, an option as to whether the EKSIK-IKI AND -UC flats should have a slash). I guess I could cheat by making e.g. -eh -24/100 and -esih -26/100, which would give a working solution, but is there a way of getting what I want (a full set of quarter-tone arrow accidentals) without such recourse? Thanks & best wishes, -- Joe _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user