Re: fermata below the barline

[Gilles THIBAULT]

Hi all,

This is the snippet that gave me the clues:
http://lsr.dsi.unimi.it/LSR/Item?id=402

Even more useful is
    <http://lsr.dsi.unimi.it/LSR/Item?id=10>

It's not a troll, but i don't think it is very useable in a real music
because the snippet add the "Mark_engraver" to the second Staff, so
you have to do the choice to get also all \mark in both Staff, like in the 
example below.

%%%%%%%%%%%%%%%%%%%%%%%%
musicA = {  c'1 \mark \default c'1 \mark \default c'1 \mark "Allegro" c'1
\bar "|."}
musicB = \transpose c' c {\clef bass  \musicA }

\score {
   \new GrandStaff <<
       \context Staff = one {
           \musicA
           \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
           \mark \markup { \musicglyph #"scripts.ufermata" }
}
       \context Staff = two \with { \consists "Mark_engraver" } {
           \override Staff.RehearsalMark #'direction = #DOWN
           \musicB
           \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
           \mark \markup { \musicglyph #"scripts.dfermata" }
}

}
%%%%%%%%%%%%%%%%%%%%%%%%

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