On 16 Feb 2009, at 21:43, Kees van den Doel wrote:

> Might you give some examples of this (which written notes)?

E.g., D Ep F (F 20 cent flat, so actually D Ep and Ep F are the same interval)

If the musical function or intent is that these intervals should be equal, then the note is F#pp, that is, a double koron. One has (in any tuning) F#pp - Ep = F#p - E = F> - E = n, where n is the neutral second that Farhat uses, the same as Ep - D, then.

On the other hand, if it is lowered an unspecified amount, then when transposed, you will need another symbol that raises an interval so that the sum is M-m.

  Hans




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