Hi Anders,
for what it's worth, I agree with you (I seem to remember that
conversation!)
Josh
On Sep 8, 2008, at 9:06 AM, [EMAIL PROTECTED] wrote:
Seems the Dillon example (showing violin-music) didnt get too far, but
point is illustrated well with first example. If anyone wants to see
more 'real-life' examples of slanted on-stem tremolos in beamed
note-groups, tell me and ill send some.
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/* Joshua D. Parmenter
http://www.realizedsound.net/josh/
“Every composer – at all times and in all cases – gives his own
interpretation of how modern society is structured: whether actively
or passively, consciously or unconsciously, he makes choices in this
regard. He may be conservative or he may subject himself to continual
renewal; or he may strive for a revolutionary, historical or social
palingenesis." - Luigi Nono
*/
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