the following example is a modified version of something that Adam
James Wilson wrote for me (you can search the archives for "problem
with full-measure rests in differently time-scaled staves"
Maybe there is an easier solution to your problem and this is a bit
overshoot
ole
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.10.15"
\layout {
\context { \Score
\remove "Timing_translator"
\remove "Default_bar_line_engraver"
}
\context {
\Staff
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
}
<<
\new Staff {
\time 12/8
\compressMusic #'( 2 . 3 ) {
\set Timing.measureLength = #(ly:make-moment 6 6)
b8 b b b b b a a a a a a
b8 b b b b b a a a a a a
b8 b b b b b a a a a a a
}
}
\new Staff {
\clef bass
\time 4/4
c4 d e f
c4 d e f
c4 d e f }
>>
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Am 08.12.2007 um 19:54 schrieb Roz Sherris:
Hello folks
I'm transcribing a piece for two 6-part choirs, arranged in 2
ChoirStaffs, Choir 1 and Choir 2. At first the time signatures for
both choirs are the same, but part way through they change to
separate time sigs: Choir 1 to 12/8 dotted crotchet = 40; Choir 2
to 4/4 crotchet = 40. So bar lines still fall together. I've tried
entering \time and \tempo for each line, but the Choir 2 4/4 over-
rides the Choir 1 12/8. I suppose I could enter all the Choir 1
stuff as triplets in 4/4, but I'd prefer to retain the two
different time sigs if possible.
Anyone know of a way of achieving this?
Thanks
Roz
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