Hi David,
You don't need invisible notes for this kind of situation; just use the
proper syntax for polyphony, so that the upper voice remains in the main
voice context:
<< {
\grace bf16
\voiceOne %make stems point up for this voice after grace note
cf2 af'4~ | %tie will continue outside polyphonic section
}
\new Voice { %second voice context created without using \\, so
that first voice isn't in a new context
\voiceTwo %make stems point down here
cf,2. |
} >>
af'8 %this note is now tied, with stem still pointing up
\oneVoice %return to default voice behaviour
af[ gf f bf af ] |
Regards,
Neil
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