These things happen as soon as you include some command
that can only be done within a Staff or Voice context, before
your own first \new Staff/Voice.
In this case, it's the \autoBeamOff command that causes the
problem. Just move it inside the \new Staff{...}. If you want
the setting to apply to all staves in the piece, you could
look into ly/property-init.ly to figure out what that \autoBeamOff
is simply a shorthand defined as
autoBeamOff = \set autoBeaming = ##f
So, you could either directly insert
\set Score.autoBeaming = ##f
within the code for one of the staves or redefine the default
definition of the Staff context in a \layout{...} block.
I was a bit surprised by your use of \new Score. It certainly
seems to work, but the more conventional structure is to say
\score{
<<
\new Staff ...
\new Lyrics ...
>>
}
/Mats
Rutger wrote:
Dear all,
Is there anyone who could give me some help me with the file below?
For some reason, Lilypond creates an unwanted clef and time signature
(without a staff) above my setting of two voices on one staff. What did I do
wrong?
Also, would you have any clue why the fermatas in the lower part won't go
below the notes?
Many thanks in advance,
Best,
Rutger
\version "2.10.0"
tekst = \lyricmode { Bez kor -- y -- sti be -- zo lzhi, ty be -- zo lzhi!
V_krep -- koy pra -- vde pos -- lu -- zhi!, ty pos -- lu
-- zhi!
Bez kor -- y -- sti be -- zo lzhi
V_krep -- koy pra -- vde, v_krep -- koy pra -- vde pos
-- lu --
zhi!
V_krep -- koy pra -- vde pos -- li -- zhi! }
global = {
\time 2/4
\key es \major
}
Vanya = {
r8 es4->^\markup{\italic {con forza}} c16[( d]) es[( g]) f[( es])
d[( c]) f[( es]) d8 r16
bes16-. es8-. g8-. bes8-. r8 r4
r8 es,4-> c16[( d]) es[( g]) f[( es]) d[( c]) f[( es]) d8 r16
bes16-. es8-. g8-. bes8-. r8 r4
r8 g4-> g16[( f]) es[( d]) es[( f]) g[( f]) g[( a]) bes4. r8
r4 f8 bes8 d8^\fermata bes16 r16^\fermata
g8-> bes-> es,-> g-> c,-> es-> a,4 r4
es'4. c32[( d es f]) g8 f16[( es]) d[( es]) c[( d]) bes8 r8 r4
}
Susanin = {
r8 c4-> a16[( bes]) c[( bes]) a[( g]) f[( es]) d[( c]) bes8 r16
bes'16-. g8-. es8-. bes8-. r8 r4
r8 c'4-> a16[( bes]) c[( bes]) a[( g]) f[( es]) d[( c]) bes8 r16
bes'16-. g8-. es8-. bes8-. r8 r4
r8 es'4-> es16[( d]) es[( d]) c[( b]) c[( d]) es8 d4. r8
r4 d8 d8 bes8_\fermata d16 r16_\fermata
es8-> d-> c-> bes-> a-> g-> f4 r4
c'4. a32[( bes c d]) es8 d16[( c]) bes[( g]) a[( f]) d8 r8 r4
}
{
\new Score <<
\autoBeamOff
\new Staff \relative c'' {
\set Staff.instrumentName = \markup{ \column{ {\small \smallCaps Van}
{\small \smallCaps Sus} } }
\global
\clef treble
<<
\new Voice = "soprano" { \voiceOne \Vanya }
\new Voice = "bass" { \voiceTwo \Susanin }
>>
}
\new Lyrics \lyricsto soprano {\tekst}
>>
}
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=============================================
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