Oops I forgot to include one missing variable for my previous emailed
example, just add this too:
varMarkCoda = {
\once \override Score.RehearsalMark #'self-alignment-X = #center
\once \override Score.RehearsalMark #'padding = \varPadToCodaMark
\once \override Score.RehearsalMark #'font-size = #3.0
\once \override Score.RehearsalMark #'break-align-symbol = #'key-signature
\mark \markup { \musicglyph #"scripts.coda" \super \smaller \column { "To"
"Coda" } }
Rick Hansen (aka RickH) wrote:
>
>
>
> Ander D wrote:
>>
>> I have a solo voice score. It has two sections. The first section has
>> two
>> verses. The first verse has its own ending and the second verse also has
>> its
>> own ending, which comprises the rest of the song. The second section has
>> a DS
>> al coda. I need help with organizing this arrangement; where do all
>> these
>> pieces go?
>>
>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
>
> The area in front of an ending coda should have about an inch of
> whitespace in front, IOW the staff should begin again with a new clef and
> key (time sig is optional). There currently is no perfect way to make
> this happen in LP, but here is a technique I have used to stop the staff
> and re-start it and get the Coda marks to appear normal:
>
>
>
> % In my globals.ly file I might have the following variables:
>
> \varKey = { \key bf major }
>
> \varPadDcDsMark = #10
> \varPadTargetCodaMark = #10
> \varPadSegnoMark = #10
>
> varMarkSegno = {
> \once \override Score.RehearsalMark #'padding = \varPadSegnoMark
> \once \override Score.RehearsalMark #'font-size = #3.0
> \mark \markup { \smaller { \musicglyph #"scripts.segno" } }
> }
>
> varMarkDsAlCoda = {
> \once \override Score.RehearsalMark #'self-alignment-X = #right
> \once \override Score.RehearsalMark #'padding = \varPadDcDsMark
> \once \override Score.RehearsalMark #'font-size = #0.6
> \mark \markup { \bold "D.S. al Coda " } }
>
> varMarkEndCodaDS = {
> \varMarkDsAlCoda
> \stopStaff
> \cadenzaOn
> \skip1
> \cadenzaOff
> \once \set Staff.forceClef = ##t
> \clef treble
> \varKey
> \bar ""
> \startStaff
> \once \override Score.RehearsalMark #'self-alignment-X = #right
> \once \override Score.RehearsalMark #'padding = \varPadTargetCodaMark
> \once \override Score.RehearsalMark #'font-size = #3.0
> \mark \markup { \musicglyph #"scripts.coda" \super \smaller { Coda } }
> }
>
>
>
> % Then in the piece I use these variables as follows (this should compile
> in a score using english.ly):
>
> Notice the "to coda" appears at bar 5, the "segno" appears at the pickup
> bar, and both the "DS al" and "target coda" appears at bars 19 and 20 with
> the proper whitespace in between, simple. The only caveat is that you
> must get bar 18 to also include itself on the same system as bar 19 and
> 20, IOW the whitespace does not work across a system break. So you may
> need to force a line break to get this to happen depending on paper,
> fontsize, etc. (Note, whitespace and clef/key restatement in front of
> target Codas is standard style for the music publishers association
> MPA.org).
>
>
>
> Song is "As Time Goes By"
>
>
>
> varVoiceMelody = \relative c'' {
> %0
> \partial 8 g'8
> |
> %1
> \repeat volta 2 {
> \varMarkSegno
> af8. g16 f8. ef16 f4. g8
> |
> %2
> bf8. af16 g8. f16 af4. bf8
> |
> %3
> ef8. d16 c8. bf16 c2
> |
> %4
> r2 r4 d4
> |
> %5
> f8. ef16 d8. c16 d4 ef
> \varMarkCoda
> |
> }
> %6
> \alternative {
> {
> bf4 bf ef, f
> |
> %7
> g1~
> |
> %8
> g2 r4 r8 g8
> |
> }
> {
> %9
> bf4 bf ef, f
> |
> %10
> ef1~
> |
> %11
> ef2 r2
> \bar "||"
> }
> }
> %12
> ef8. f16 ef8. c'16~ c4 c
> |
> %13
> c8. df16 c8. b16 c2
> |
> %14
> f,8. g16 f8. c'16~ c4 c
> |
> %15
> c8. d16 c8. b16 c2
> |
> %16
> g8. af16 g8. ef'16~ ef4 ef
> |
> %17
> ef8. d16 ef8. d16 f4 d
> |
> %18
> c4 c g g
> |
> %19
> bf2. r8 g
> \bar "||"
> {
> %20
> \varMarkEndCodaDS
> bf4 bf2 g4
> |
> %21
> bf2 c
> |
> %22
> ef2. r4
> \bar "|."
> }
> }
>
>
> Rick
>
>
>
--
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