Beautiful! Thanks, Mats.
I modified the snippet to make it a little more readable in the score.
Would this be a candidate for the LSR? If so, I'll go ahead and submit
it. Is there any standard format?
Thanks again,
Ralph
+++++++++++++++++++++++++
Ralph Palmer
Energy/Administrative Coordinator
Keene State College
Keene, NH 03435-2502
Phone: 603-358-2230
Cell: 603-209-2903
Fax: 603-358-2456
[EMAIL PROTECTED]
%%%%%%%% modified snippet:
\version "2.10.0"
\include "english.ly"
Music = {
\key c \major
\time 4/4
\parallelMusic #'(voiceA voiceB voiceC voiceD) {
% Bar 1
r8 g'16[ c''] e''[ g' c'' e''] r8 g'16[ c''] e''[ g' c''
e''] |
c'2 c'2
|
r8 a16[ d'] f'[ a d' f'] r8 a16[ d'] f'[ a d' f']
|
c2 c2
|
% Bar 2
a'8 b' c'' d'' e'' f'' g'' a''
|
d'4 d' d' d'
|
c16 d e f d e f g e f g a f g a b
|
a,4 a,4 a,4 a,4
|
% Bar 3 ...
}
}
\score {
\new PianoStaff
<<
\Music
\new Staff <<
\voiceA \\
\voiceB
>>
\new Staff {
\clef bass
<<
\voiceC \\
\voiceD
>>
}
>>
}
%%%%%%%%%%% end modified snippet
-----Original Message-----
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 14, 2006 3:15 AM
To: Palmer, Ralph
Cc: lilypond-user@gnu.org
Subject: Re: \parallelMusic and PianoStaff, again
Just keep repeating bar after bar, without any extra curly braces.
Also, I had forgot to include \voiceOne / \voiceTwo and so on (below, I
did this implicitly using the <<{...} \\ {...} >> feature).
Here comes a modified version of your example.
\version "2.10.0"
\include "english.ly"
Music = {
\key c \major
\time 4/4
\parallelMusic #'(voiceA voiceB voiceC voiceD) { % Bar 1
r8 g'16[ c''] e''[ g' c'' e''] r8 g'16[ c''] e''[ g' c''
e''] |
c'2 c'2 |
r8 a16[ d'] f'[ a d' f'] r8 a16[ d'] f'[ a d' f'] |
c2 c2 |
% Bar 2
a'8 b' c'' d'' e'' f'' g'' a''' |
d'4 d' d' d' |
c'16 d' e' f' d' e' f' g' e' f' g' a' f' g' a' b'
|
a4 a4 a4 a4 |
% Bar 3 ...
}
}
\score {
\new PianoStaff<<
\Music
\new Staff << \voiceA \\ \voiceB >>
\new Staff {
\clef bass
<< \voiceC \\ \voiceD >>
}
>>
}
/Mats
Palmer, Ralph wrote:
> Hi -
>
> I'm running LilyPond 2.10.0 under Windows XP Pro SP2.
>
> With Mats' help, I've come closer, but still no joy.
>
> To clarify, I'm looking for a way to combine \parallelMusic with
> PianoStaff, so that I get a way to write polyphony on a piano staff,
> and write the polyphony one measure at a time. The reason for writing
> all four parts one measure at a time is that doing so makes it a lot
> easier (I think) to spot problems and make corrections. Otherwise,
> after ten page of score, I think it would get cumbersome to write and
> check the results.
>
> Here's what I've got so far. I added another measure, to see if I
> could figure out how \parallelMusic behaves.
>
> Ralph
>
> %%%%%%%%%%%%%%begin snippet
>
> \version "2.10.0"
> \include "english.ly"
>
> Music = {
> \key c \major
>
> \time 4/4
> \parallelMusic #'(voiceA voiceB voiceC voiceD) {
> {r8 g'16[ c''] e''[ g' c'' e''] r8 g'16[ c''] e''[ g'
c''
> e''] |
> c'2 c'2
> |
> r8 a16[ d'] f'[ a d' f'] r8 a16[ d'] f'[ a d' f']
> |
> c2 c2
> |
> }
> {a'8 b' c'' d'' e'' f'' g'' a'''
> |
> d'4 d' d' d'
> |
> c'16 d' e' f' d' e' f' g' e' f' g' a' f' g' a'
b'
> |
> a4 a4 a4 a4
> |
> }
> }
> }
>
> \score {
> \new PianoStaff<<
> \new Staff <<
> \Music
> \new Voice \voiceA
> %{ also tried
> \new Voice \voiceOne \voiceA
> with \voiceTwo, voiceThree, and voiceFour
> added in the comparable places for \voiceB through
> \voiceD %}
> \new Voice \voiceB
> >>
> \new Staff <<
> \clef bass
> \new Voice \voiceC
> \new Voice \voiceD
> >>
> >>
> }
>
> %%%%%%%%%%end snippet
>
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=============================================
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