If you first try your example without the \change Staff ..., you will
notice that the same problem remains. What happens is that your
polyphony in the lower part,
<< { r8 f16 ( g ) f8 } \\ c2. >>
has the same duration as the longest of the two voices, i.e. as the c2.
Then, when you add more 16th notes after the << ... >>, they will
begin after the end of the c2. The solution is just to include all your
16th notes including staff changes within the << {...} \\ {...} >>
construct:
lower = \relative c
{
\clef bass
\key b \major
\time 6/8
<< { r8 f16 ( g ) f8 \change Staff = "upper"
g'''16 ( f ) g, f \change Staff = "lower" g, f |}
\\ c2. >>
}
/Mats
Helge Kruse wrote:
Hello,
I have a voice in the lower staff, that is so high, that it should be noted
in the upper staff, but logically it belongs to "lower". I tried to edit
this with staff change, but the "upper" staff is already full and the six
16th notes are moved to the next measure.
How can I get these six 16th (gfgfgf) to the first measure? I would prefer
to keep the <es es>2. in the upper staff, but probably this is not possible?
Regards,
Helge
\version "2.7.39"
\include "deutsch.ly"
upper = \relative c''
{
\clef treble
\key b \major
\time 6/8
<es, es'>2. |
}
lower = \relative c
{
\clef bass
\key b \major
\time 6/8
<< { r8 f16 ( g ) f8 } \\ c2. >>
\change Staff = "upper"
g'''16 ( f ) g, f
\change Staff = "lower"
g, f |
}
\score
{
\context PianoStaff <<
\set PianoStaff.instrument = "HARPE "
\context Staff = upper \upper
\context Staff = lower \lower
>>
\layout { }
}
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--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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