Thanks a bunch for your suggestion, although not
directly, it pointed me the right way to understanding
how this whole thing really works.
(what I had to realize was that in these situations I
have to write out all the variants explicitly, like
\tag #'one { f8[ f] } \tag #'two { f4 }
\tag #'three \tag #'four s4
Before I would do just those first two without stating
skips in those other two tags and it would cause a
mess... )
Now I can at least produce "almost" correct output,
there just one more thing I need to take care of. My
actual code now looks like:
\new Staff <<
\new Voice = "sopran" { \voiceOne \keepWithTag #'one
\Ksopran }
\context Voice = "alt" { \voiceTwo \keepWithTag
#'one \Kalt }
\context Voice = "alt" { \voiceTwo \keepWithTag
#'three \Kalt }
>>
In the soprano voice there are only two variants - no
problem there. Now when it comes to alto I can now get
lily to print correct notes on correct places, there
is just one problem - for for notes that are common to
both expressions it would not merge the noteheads - as
if the other input was voiseFour. (see the attached
picture) What I need is to have just one notehead
there without the other to be seen. I tried to change
the collision settings ( shiftOff etc. ) but with no
success.
Any ideas how to do this?
Jan Janovcik
__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com 
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
