Could you please provide complete code for a small example?
It makes it much easier for others to try out what you already
have done and help with the remainders.
/Mats
[EMAIL PROTECTED] wrote:
I've upgraded to mingw 2.8.2 ...
Firstly, thanks for the tip about page-spacing.ly. This looks exactly
like what I want ... except I can't find any docu except the example
itself, and cut-n-pasting seems to have no effect :-( (I've looked in
the manual index, and in the html internal thingy which I used IE's
search on)
And I still can't get my "DS al Coda" and coda symbols to come out
where/how I want them. It's all very well saying "attach them to the
note before/after", but (a) imho they belong attached to the barline,
and (b) last time I attached something like that to a R1*8 it looked
rather silly ...
(Actually, I think it was effectively << {s2 s s1*3} {R1*4} >> with the
s's and R in different voices on the same staff, but it was a mess The
s2 stuff was a deliberate (and failed) attempt to get it to go to the
left.) Oh - and with my current part the coda will collide with a
fermata :-(
The problem (from my point of view) is that I'm in the habit of putting
all the structure in a separate voice from the notes, and codas etc are
structure. So I can't attach them to a genuine note or fine-tune their
left/right alignment, because I re-use the same structure voice across
multiple parts, hence stuff like that getting attached to a R1*8!
So basically, in the below code I want
(1) to push the last system down and leave a bigger gap
(2) to have "DS al Coda" appear right-justified at the end of the
penultimate system
(3) to have the Coda symbol appear left justified at the beginning of
the last system
imho this is a perfectly normal layout and I just cannot see how to
achieve it ...
\version "2.8.2"
allegro = {
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark "Allegro"
}
coda = {
\mark \markup { \musicglyph #"scripts.coda" }
}
dalsegno = {
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark "DS al Coda"
}
segno = {
\mark \markup { \musicglyph #"scripts.segno" }
}
voiceTimeSig = {
\time 2/4
\key df \major
s2*2
s2*8
s2*8
s2*8
s2*2
s2*8
s2*8
s2*8
\key bf \major
\repeat volta 2 { s2*15 } \alternative { { s2 } { s2 } }
s2*3
\key df \major
s2*4
}
voiceMarkup = {
s2*2 \bar "||" \segno
s2*8 \bar "||" \allegro
s2*8 \bar "||"
s2*8 \bar "||" \coda
s2*2 \bar "||"
s2*8 \bar "||" \allegro
s2*8 \bar "||"
s2*8 % Trio
\break
\mark "TRIO Presto"
\repeat volta 2 { s2*15 } \alternative { { s2 } { s2 } }
s2*3 \bar "||" \dalsegno
\overrideProperty
#"Score.NonMusicalPaperColumn"
#'line-break-system-details
#'((next-space . 20))
\break
\once \override Score.RehearsalMark #'self-alignment-X = #left
\coda
s2*4
}
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--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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