I would expect such marks to be left aligned with the bar lines instead
of centered over the multimeasure rest, to make it completely clear
exactly where in the music the change should happen. Here's one example:
\version "2.6.0"
\score{
{ \set Score.skipBars = ##t
\override Score.RehearsalMark #'self-alignment-X = #LEFT
\override Score.RehearsalMark #'padding = #3
c''1 \mark \markup{\bold "Andante" } |
R1*4 \mark \markup{\bold "Etwas langsamer" } |
R1*7 c''1 }
\layout{raggedright=##t}
}
/Mats
Kris Shaffer wrote:
It's not always necessary, but regularly in orchestral parts, you will
have a new tempo or expression mark over each of several adjacent
multirests (especially with the overly verbose German composers like
Strauss and Mahler). So it would come in handy for me...
Kris
On Tue, 23 Aug 2005 18:36:57 -0400, Han-Wen Nienhuys
<[EMAIL PROTECTED]> wrote:
Kris Shaffer wrote:
Why can't LilyPond figure out the length of the text itself?
Maybe a new feature somebody wants to sponsor?
That would be a very helpful and time-saving feature, especially
when producing orchestral parts. How much would it be worth? I'd
be willing to contribute a modest amount if a few others wanted to
join in as well.
It's not clear to me that the mm-rest text should be kept between the
barlines. Of course, I can have a look into the cost of such a
modification.
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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