Thank you. Yes, I had spotted that the viola part causes problems at the
final cadence. You have clearly looked at the whole score, not just
the bit I posted ;-)
There are a few other octavation problems that need to be sorted out;
only Rachmaninov could span some of the chords.
On 28/08/2025 09:05, Martin Straeten wrote:
better just combine the violins as described by mats but as \voiceOne
and the viola as \voiceTwo:
\new Staff {
\new Voice {\voiceOne << \viI \viII >>
\new Voice {\voiceTwo \vla}
}
then you might use \change Staff to send the viola in bar 19 to the left
hand staff for better readability
Am Mi., 20. Aug. 2025 um 14:29 Uhr schrieb Mats Bengtsson
<[email protected] <mailto:[email protected]>>:
__
On 2025-08-20 12:57, Raphael Mankin wrote:
\partCombine will combine two parts, but is there a way of
combining three? I have tried
\partCombine \partCombine VoiceA VoiceB VoiceC
and a couple of variants, but they all yield strange outputs and
error messages. I am using the Merge_rests_engraver.
As long as all the parts share the same rhythm, you could do
something as simple as
\version "2.24.4" viI = \relative c'' { \key as \major r8 c es r r
bes es r | } viII = \relative c'' { \key as \major r8 as c r r g bes
r | } vla = \relative c' { \key as \major r8 es as r r es g r | }
\score{ \new Staff{ \new Voice << \viI \viII \vla >> } }
/Mats
