> On 10 Apr 2024, at 20:15, Carl Sorensen <carl.d.soren...@gmail.com> wrote:
> 
> Forwarding to keep on list.
> 
> On Wed, Apr 10, 2024 at 11:35 AM Hans Åberg <haber...@telia.com> wrote:
> 
> > On 10 Apr 2024, at 19:00, Carl Sorensen <carl.d.soren...@gmail.com> wrote:
> > 
> > On Wed, Apr 10, 2024 at 10:22 AM Hans Åberg <haber...@telia.com> wrote:
> > 
> > > So is the issue that you would like to have the final [2 3] beamed with a 
> > > pair of beamed 16th notes joined to a trio of beamed sixteenth notes by a 
> > > single beam?
> > 
> > Yes.
> > 
> > This works out of the box now, as 4+5 with subdivisions and 4+3 with 
> > subdivisions
> > 
> > \version "2.25.11"
> > {
> >    \time 9/16
> >    \set beatStructure =  #'(4 5)
> >    \set subdivideBeams = ##t
> >    \repeat unfold 9 a'16
> >    
> >    \time 7/16
> >    \set beatStructure = 4,3
> >    \repeat unfold 7 a'16
> > }
> 
> This works for the 9=(2+2)+(2+3); I attach a file that compiles, in case you 
> want to check. I need to check the 7/16 later. One could also have the 3 in 
> other places. like 9 = (2+2)+(3+2) or (3+2)+(2+2). They exist in Turkey and 
> Macedonia in slower forms without the sub-beaming, but in theory, it is 
> possible.
> 
> I think that it will not work if you want to subdivide with the 3 in the 
> first position.  I can imagine that there could be some sort of flag that 
> would allow it to work correctly with the 3 in the first position, but that 
> will require some extra development.  If you think it's important, I could 
> ping Jason Yip (who did the new autobeam functionality) to see if he has any 
> ideas about it.

There is actually one example of a naturally occurring meter, meaning it is 
used regularly, where such a sub-beaming might be useful, namely, a form of the 
Čoček in 9/8, 9 = 2+2+2+3, where 3 = 1+2. I wrote it as 2+2+2+1+2, but it would 
be nice to write it as 2+2+2+(1+2).

If I write
  \time 9/8
  \set beatStructure = 2,2,2,3
  \set subdivideBeams = ##t
then it ends up with all 2 = 1+1, and 3 = 1+1+1.

So such examples may occur even if there is not a composer trying to do 
something special.



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