Hi Jean, > this example isn't specific to lyrics, although this situation > probably occurs more often in lyrics than in other contexts.
Definitely. > Here's one way to do this, but don't be too excited: not only > is it hacky (in "fixable" ways), but it makes lots of assumptions > that hold in the example and won't hold in anything more complicated. I'll use it in various situations and report back on what happens. > Basically, the idea is to read the rods between the (musical) columns > from a group of notes, and set them all to the max between them. Thanks for the insight! I’m hoping that us hacking through a few of these “isolated” examples will bring clarity to how (or even if) a general solution might be implemented. Thanks! Kieren.
