Obviously, all three options below produce identical output. (And also, I know that `\sectionLabel` does not need to be attached to a `\section`.)
But is there a notion of which generally best represents the way music is divided, clearer to the next reader of my code than the other choices? —Joel \version "2.23.80" % I. `\section` outside parts SectA_I = { \sectionLabel "Section A" c' d' e' f' } SectB_I = { \sectionLabel "Section B" f' e' d' c' } I = { \SectA_I \section \SectB_I \fine } \score { \I } % II. `\section` at parts’ end SectA_II = { \sectionLabel "Section A" c' d' e' f' \section } SectB_II = { \sectionLabel "Section B" f' e' d' c' \section } II = { \SectA_II \SectB_II \fine } \score { \II } % III. `\section` at parts’ start SectA_III = { \section \sectionLabel "Section A" c' d' e' f' } SectB_III = { \section \sectionLabel "Section B" f' e' d' c' } III = { \SectA_III \SectB_III \fine } \score { \III }