I’d guess it’s a written-out accelerando. For exactly how I would do it could
depend a bit on circumstances, like tempo and melody, but I think this is
fairly readable and how I would do it at lest in reasonably slow tempi…
%%%%%%%%%%%%%
\version "2.22.1”
\fixed c' {
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1/16)
c32 c c c \tuplet 3/2 {c32 c c} c64 c c c
\unset subdivideBeams
\unset baseMoment
}
%%%%%%%%%%%%%%
> 22 aug. 2022 kl. 04:28 skrev Greg Lindstrom <gslindst...@gmail.com>:
>
> I am working on transcribing a euphonium solo and have come across a rhythm
> that I cannot figure out how to notate. As an aside, I am loving lilypond and
> am impressed with the level of detail that has gone into it. It makes
> engraving scores fun!
>
> Here is the figure; it is a single beat in 5/4 time (so it's duration is 1
> quarter beat):
>
> 4-32nd notes
> a triplet consisting of 3-32 notes
> 4-64th notes
>
> I'm not even sure of how to divide this up, as the 4-32nd notes would take
> twice as long as the 4-64th notes. I'm note sure what the composer is going
> for or how the performer will interpret it, but I want to be faithful to the
> part (there isn't a full score -- only a piano reduction -- so I'm engraving
> the parts to make it). Normally, I would have the 32nd and 64th note beams
> with an 8th note beam between each of the 3 groups, but the 3 groups are not
> of equal duration.
>
> Any help on this would be greatly appreciated.
>
> --greg
>
