I isolated these notes to create a tiny example, but the context suggests
that it makes more sense to view them as two voices. This is a Chopin piece
and unlike e.g. Bach, two voices often are expressed like a chord. I
wanted to avoid going back and forth between one voice and two voices too
often.
I guess it is possible to just use a chord in this case. I'll try to think
about other work-arounds. However, I think an ideal behavior would still be
to automatically rearrange the note head direction in a case like this.
On Mon, May 23, 2022 at 12:40 AM Jean Abou Samra <j...@abou-samra.fr> wrote:
> Le 22/05/2022 à 12:33, Soo Lee a écrit :
> > \new Staff
> > <<
> > \new Voice = "first"
> > { \voiceOne g'4 }
> > \new Voice= "second"
> > { \voiceTwo \stemUp f'4 }
> > >>
> > This example shows G and F note heads are drawn in an overlapping way.
> > I did not want to use a chord but wanted them to be merged to look
> > like a chord. Is there an option to do this?
> > Thank you!
>
>
> This sounds like an XY question to me. What is the reason for
> not using a chord construct if the goal is to obtain a chord?
>
> Best,
> Jean
>
>
