Le 01/03/2022 à 23:51, Alasdair a écrit :
Dear Jean,
I have just had time to make that change (of key to key-signature).
However, there is still an issue. For example, in change from g major
to g minor, we go from one sharp to two flats. As I have a key
signature in the middle of a bar (after a “Fine”), my current bar
looks like this:
g4^\markup \fontsize #2 \italic "Fin" \bar "||" \set Staff.forceClef =
##t \key g \minor d8 |
However, what happens is that the natural sign is printed on top of
the double bar line. So either I need to not print the natural (which
would be my preference), or somehow push the entire new key signature
(one natural and two flats) after the clef sign.
Note that I’m not interested in modern best practice, but I want to
(with modern music printing) maintain the spirit of the 18^th century
manuscript.
The naturals are printed by a KeyCancellation grob, which has
break-align-symbol 'key-cancellation
(https://lilypond.org/doc/v2.23/Documentation/internals/keycancellation).
When overriding the order, you have not told LilyPond where to
put it. Just add key-cancellation to the vector before
key-signature.
\version "2.22.1"
\language english
global = {
\clef treble
\time 4/4
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(span-bar
breathing-sign
staff-bar
clef
key-cancellation
key-signature
time-signature))
}
\relative c' {
\global
\key g \major
c4 d e fs |
g a
\bar "||"
\set Staff.forceClef = ##t
\key c \minor
bf c |
bf af g f |
ef d c2
}
Best,
Jean
