Well, the notation already violates the idea of two voices.  That said, 
I managed to generate similar output using only two voices like this:

\new Staff = "guitar traditional"
<<
   \clef "treble_8"
   \time 3/8
   \key e \minor
   % \mergeDifferentlyHeadedOn
   % \mergeDifferentlyDottedOn
   \context Voice = "high" \relative c' { \voiceOne d4*1/2-3 \voiceTwo 
d,4 | }
   \context Voice = "mid" \relative c' { \voiceTwo d8[ \voiceOne d,] b' | 
}
 >>

But note that the first note would not be full length in a midi 
rendition.

Paul

On 05/10/2021 14:20:17, "Omid Mo'menzadeh" <omid.mnza...@gmail.com> 
wrote:

>Hi all,
>The photo I attached is from Fernando Sor's "A la bonne heure" 
><https://imslp.org/wiki/Special:ReverseLookup/470303> (No. 1), which I 
>am engraving using Lilypond for a readable score. The following is how 
>I did it, which certainly looks similar to the original photo:
>
>\version "2.22.1"
>
>\new Staff = "guitar traditional" <<
>   \clef "treble_8"
>   \time 3/8
>   \key e \minor
>   \mergeDifferentlyHeadedOn
>   \mergeDifferentlyDottedOn
>   \context Voice = "high" \relative c' { \voiceOne d4-3 b8 | }
>   \context Voice = "mid" \relative c' { \voiceTwo d8 \voiceThree d, s | 
>}
>   \context Voice = "low" \relative c {\voiceTwo s8 d4 | }
> >>
>
>What makes me doubt this solution is that any other measure in the 
>piece uses two voices, except the ones looking like this! Is there a 
>cleaner way to do this, possibly using two voices? Am I reading the 
>score correctly?
>Thanks in advance,
>Omid Momenzadeh

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