Well, the notation already violates the idea of two voices. That said, I managed to generate similar output using only two voices like this:
\new Staff = "guitar traditional" << \clef "treble_8" \time 3/8 \key e \minor % \mergeDifferentlyHeadedOn % \mergeDifferentlyDottedOn \context Voice = "high" \relative c' { \voiceOne d4*1/2-3 \voiceTwo d,4 | } \context Voice = "mid" \relative c' { \voiceTwo d8[ \voiceOne d,] b' | } >> But note that the first note would not be full length in a midi rendition. Paul On 05/10/2021 14:20:17, "Omid Mo'menzadeh" <omid.mnza...@gmail.com> wrote: >Hi all, >The photo I attached is from Fernando Sor's "A la bonne heure" ><https://imslp.org/wiki/Special:ReverseLookup/470303> (No. 1), which I >am engraving using Lilypond for a readable score. The following is how >I did it, which certainly looks similar to the original photo: > >\version "2.22.1" > >\new Staff = "guitar traditional" << > \clef "treble_8" > \time 3/8 > \key e \minor > \mergeDifferentlyHeadedOn > \mergeDifferentlyDottedOn > \context Voice = "high" \relative c' { \voiceOne d4-3 b8 | } > \context Voice = "mid" \relative c' { \voiceTwo d8 \voiceThree d, s | >} > \context Voice = "low" \relative c {\voiceTwo s8 d4 | } > >> > >What makes me doubt this solution is that any other measure in the >piece uses two voices, except the ones looking like this! Is there a >cleaner way to do this, possibly using two voices? Am I reading the >score correctly? >Thanks in advance, >Omid Momenzadeh