Thank you! That work! Although I am still having one part that need to figure out one space…. But the score looks great now! Thanks!
> On Oct 1, 2021, at 21:12, Ralph Palmer <palmer.r.vio...@gmail.com> wrote: > > Greetings, Carlos Martinez - > > On Fri, Oct 1, 2021 at 4:08 PM Carlos Martinez > <car...@newsoundmusicstudio.com <mailto:car...@newsoundmusicstudio.com>> > wrote: > Hi, > > I am not able to figure out how to manage the breaks in the score generated > by different files. > > I have setup the different files or parts example: Violin I, II Cello and > Viola.. > > The score appears when I use \include. But the way it lays it out it goes > like this > > Layout of the score…. > 2 measures > 3 measures > 1 long measure > 4 measures > > I would like to manage where the breaks are… > > Help… > > > It's very helpful to supply a minimal working example (MWE) that shows the > problem you want solved. > > Without seeing an MWE, I do have a question or two. Do you have explicit > breaks in the included (i.e., parts) files? If so, the combined score will, I > believe, put a break in the score wherever there is a break in an included > file. When I have done multiple part transcriptions, I have waited until I > combined the parts, saw where LilyPond put the breaks (or where I thought I > would want the breaks), then put \break at those points in the topmost part. > If you want different break points for the individual parts, you may have to > do some finagling - like set up separate \include files (without breaks) for > the parts to go into the full score. You may also be able to use "tags", but > that's beyond my ability. > > Hope this helps, > > Ralph > > > -- > Ralph Palmer > Seattle > USA > (he, him, his) > palmer.r.vio...@gmail.com <mailto:palmer.r.vio...@gmail.com>
