Hi Mark, I was not thinking about the aes maj. part. See page 8. Cheers, Pierre
Le jeu. 20 févr. 2020 à 15:43, Mark Stephen Mrotek <carsonm...@ca.rr.com> a écrit : > Pierre, > > > > The Paderewski/Bronarski/Turczynski Edition has two voices – and a grace! > > > > Mark > > > > *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark= > ca.rr....@gnu.org] *On Behalf Of *Pierre Perol-Schneider > *Sent:* Thursday, February 20, 2020 4:07 AM > *To:* Knute Snortum <ksnor...@gmail.com> > *Cc:* lilypond-user <lilypond-user@gnu.org> > *Subject:* Re: Merging note heads with different pitches. Bug? > > > > Hi Knute, > > I did not notice that it was from Chopin. > > Please note that the original edition gathered that measure as one voice > (see: > http://imslp.simssa.ca/files/imglnks/usimg/f/fb/IMSLP334204-PMLP02306-Chopin,_Frederic-Nocturnes_Op_32_MSchlesinger_2500_BNF.pdf > ) > > Which could be: > > > > %%% Start %%% > \version "2.19.84" > \language "english" > > \relative c' { > \key a \major > \time 3/8 > <fs gs>8 > < \tweak X-offset #3 > \tweak Accidental.X-extent #'(1 . 0) > \tweak Accidental.extra-offset #'(3.3 . 0) > fs! > \tweak X-offset #0 fss > > <fs gs> > } > > > > Much more readable, for me at least. > > Sorry if this is a little OT... > > Cheers, > > Pierre > > > > Le mer. 19 févr. 2020 à 20:01, Knute Snortum <ksnor...@gmail.com> a > écrit : > > Consider this snippet: > > %%% Start %%% > \version "2.19.84" > \language "english" > > \relative { > \key fs \minor > \time 3/8 > << { gs'8 fss gs } \\ { fs fs fs } >> > } > %%% End %%% > > Why does the fss note head get merged with the fs? Is this a bug? If > not, how do I stop it from happening? > > --- > Knute Snortum > (via Gmail) > >
