> I'm typesetting a percussion part where the composer wants a
> glissando on both sets of bars of the glockenspiel; i.e. all the
> white notes and all the black notes.
> I'm not getting the expected result, which should show two
> glissandos between each note, one between the two Bb's and one
> between the two Cb's.
What about using chords instead of two voices, and a little bit of tweaking?
\version "2.19.82"
\language english
\score {
\relative c' {
\time 6/4
% \override Glissando.style = #'zigzag
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.breakable = ##t
\override Glissando.after-line-breaking = ##t
\override Glissando.bound-details.left.padding = #1.5
\override Glissando.bound-details.right.padding = #1.5
\override Glissando.bound-details.right.end-on-accidental = ##f
\override Glissando.bound-details.right-broken.padding = #0.5
% 6 bars of 3 patterns of 2 quarter notes = 18
% 1 bar of 2 patterns of 2 quarter notes = 2
% and a final pattern without the last glissando
<>^"Glk. gliss. on both rows of bars"
\repeat unfold 20 { <bf cf>4 \glissando <bf'' cf> \glissando }
<bf,, cf>4 \glissando <bf'' cf>
}
}
Toine Schreurs
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