Hi David, > Well, I was wondering whether Patrick was trying to do, in one score, > what I sometimes do with more than one. It's where you have a choral > piece which can be set on two staves where it's homophonic, but it has > a polyphonic section where it needs four. By starting a new score at a > line \break, it's easy to use \set Score.currentBarNumber and \firstBar > firstBar = { > \once \override Score.BarNumber.break-visibility = #end-of-line-invisible > \bar "" % don't print a bar line > } > to run the scores all together.
There are better ways to do that. ;) > That's why I asked what the OP actually wanted to do, but the response > didn't seem very responsive. LOL Cheers, Kieren. ________________________________ Kieren MacMillan, composer (he/him/his) ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user