I'd also be very interested in steps 5, 6 and 7 described by Kieren. I
usually heavily edit velocities (among other things) and making even minor
changes in the source material (the midi) is a pain. The closest I've
gotten to making the process slightly less tedious is is writing a lua
script for Reaper so I can copy and paste velocities from a group of notes
to another.

El mar., 4 jun. 2019 a las 0:48, Ivan Kuznetsov (<ivan.k.kuznet...@gmail.com>)
escribió:

> About four years ago, I did almost all, if not all of your listed
> steps with Lilypond and Ardour.
>
> I wrote a multi-voice score in Lilypond, converted the score
> to MIDI, loaded this MIDI into Ardour, and then assigned
> the various MIDI voices to various synthesis plugins.
>
> The process did include editing the original Lilypond score
> and thus creating new MIDI voices that were used
> to replace MIDI voices that I had previously imported
> into Ardour.
>
> The process worked very well, and I would certainly
> work this way again if I needed to do such a project.
>
>
>
> On Thu, May 30, 2019 at 3:37 PM Kieren MacMillan
> <kieren_macmil...@sympatico.ca> wrote:
> > At the very least, I’d like to hear if anyone has worked out (or even
> attempted) a workflow like the following:
> >
> > 1. Write a Lilypond input file.
> > 2. Use Lilypond to generate a MIDI file or files (e.g., one per staff or
> instrument/staff-group).
> > 3. Load those MIDI file(s) into a DAW.
> > 4. Make edits to the DAW file (e.g., add a tempo track, modify volumes,
> etc.).
> > and then [this is the critical part!]
> > 5. Make a change in the Lilypond input file.
> > 6. Use Lilypond to overwrite the associated MIDI files.
> > 7. See the changes reflected instantaneously in the DAW, while affecting
> ("ruining"/"reverting") the least number of changes made in the DAW in Step
> #4.
>
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>
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