On 1/24/19, Reggie <reegist...@gmail.com> wrote:
> I wish to know why it's ruining my
> other staff? So much extra space at the beginning of the other staff see
> it?
> Why? Why can't the code just move the clef and leave everything else
> alone??
Greetings, Reggie,
I’m not sure how Lily could handle that:
- the barlines need to be aligned between the upper and lower staff
- the first note in the measure, both in the upper and lower staff,
need to be aligned as well
- there’s a Clef that need to be printed in the lower Staff, _before_
the first note but _after_ the barline.
In other words, you’d need to disable vertical synchronization and I’m
not sure how to do that. There are other workarounds, but I doubt
you’d be satisfied with something like that:
%%%%%%%%%%
\new ChoirStaff <<
\new Staff \with {
\override SpacingSpanner.strict-note-spacing = ##t
}\relative {
f' e d c c d e f g f e d
}
\new Staff {
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(left-edge
time-signature
staff-bar
clef))
\stopStaff s1
\startStaff
\clef treble
g2 g g g
}
>>
\layout {
\context { \Score \remove Spacing_engraver }
\context { \Staff \consists Spacing_engraver }
}
%%%%%%%%%%%%%%
V.
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