Torsten Hämmerle <torsten.haemme...@web.de> writes:
> Apart from that, LilyPond will use suitable enharmonic key signatures if
> things (i.e. accidentals) are getting too weird.
> In your example, the second key signature (F major) will *not* be converted
> into Fb major (with 6 flats and even one double-flat!) but into E major
> (with only 4 sharps).
Excuse me?
{
\transpose es d { \key f \major s1 }
\transpose es eses { \key f \major s1 }
}
LilyPond has no qualms about things getting weird. The typesetting
stage will bomb out at more than _double_ accidentals (slated to be
changed IIRC), but processing will proceed just fine. Try
\transpose e feses here.
There have been a few proposals for the sake of transposing instrument
transpositions about weirdness limiting methods, but nothing with
permanent impact so far.
--
David Kastrup
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