Hi David, > I think it's likely rather hard to compose dissonant pieces without > access to the actual timbre (and thus overtone composition) used for > playing it.
Apparently you haven’t been to any new classical music concerts in the last half-century. It’s *quite* clear that many composers — especially inexperienced ones — have no problem composing dissonant pieces without access to the the actual timbre and overtone composition of the music they’re writing. Cheers, Kieren. ________________________________ Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
