On 17.02.2018 17:38, Stefano Troncaro wrote:
Hi Knute, Simon,
A little question if you don't mind, what is the override to
NoteColumn.ignore-collision for? I took it out of your example and I
don't see a difference in the results.
Hmmm, that’s just something I habitually insert whenever I use
\hideNotes, since sometimes the hidden notes will still distort spacing.
I didn’t check for this here.
Best, Simon
2018-02-16 10:21 GMT-03:00 Knute Snortum <ksnor...@gmail.com
<mailto:ksnor...@gmail.com>>:
Thanks Simon, that's a great tool.
I changed the function just a bit so that the stems of the eighth
notes in the lower voices aren't so long:
%%%%
dummy =
#(define-music-function (mus) (ly:music?)
#{
\override NoteColumn.ignore-collision = ##t
\voiceTwo
\once \omit Stem
\once \omit Flag
$mus
\revert NoteColumn.ignore-collision
\voiceOne
#})
%%%%
---
Knute Snortum
(via Gmail)
On Thu, Feb 15, 2018 at 9:35 AM, Simon Albrecht
<simon.albre...@mail.de <mailto:simon.albre...@mail.de>> wrote:
Hi Knute,
how about this?
%%%%%%%%%%%%%%%%%%%%
\version "2.19.80"
\language "english"
dummy =
#(define-music-function (mus) (ly:music?)
#{
\hideNotes
\override NoteColumn.ignore-collision = ##t
\voiceTwo
$mus
\unHideNotes
\revert NoteColumn.ignore-collision
\voiceOne
#})
\relative {
\time 6/8
\key g \minor
r8 << { <df'' f>4*1/2( \dummy f,8) } \\ { af8 f } >>
r8 << { <ef' g>4*1/2( \dummy g,8) } \\ { bf8 g } >> |
}
%%%%%%%%%%%%%%
I think, the slur shapes Lily chooses there are quite neat.
Best, Simon
On 15.02.2018 18:02, Knute Snortum wrote:
I am hoping to get some feedback from the power LilyPond
users on this list.
I have a slurring problem that's not terribly difficult to
solve, but I'm wondering if there's a better way to do it.
Here's my example:
%%%
\version "2.19"
\language "english"
slurShapeA = \shape #'((0.75 . 2) (0.5 . 1.5) (0.33 . 1)
(0.25 . 0)) \etc
\relative {
\time 6/8
\key g \minor
% Could something like this work?
r8 << { <df'' f>4 } \\ { af8 f } \\ { \voiceTwo
\hideNotes f'8 ^( f, ) } >>
% This works, but it's tedious and brittle
r8 << { <ef' g>4 } \\ { bf8 -\slurShapeA ^( g ) } >> |
}
%%%
In the piece I'm engraving there are dozens of this kind
of slurs. In the second half of the measure, I've used
the \shape function to modify the slur between the two
eighth notes to look like it starts at the quarter note in
the other voice. I can do it this way, but it will take
dozens of shapes, all controlled manually. This is a
tedious and brittle solution, because any change in the
page layout that affects how the measures are spaced may
change all the slur shapes (like switching from letter
size to A4).
So I was hoping I could use some hidden notes in a third
voice to make the slur, but as you can see from the first
half of the measure, it's not going very well. Can this
or some other solution work?
---
Knute Snortum
(via Gmail)
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org <mailto:lilypond-user@gnu.org>
https://lists.gnu.org/mailman/listinfo/lilypond-user
<https://lists.gnu.org/mailman/listinfo/lilypond-user>
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org <mailto:lilypond-user@gnu.org>
https://lists.gnu.org/mailman/listinfo/lilypond-user
<https://lists.gnu.org/mailman/listinfo/lilypond-user>
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
