thx David, got it. Changed the voice, so that it doesn't start with the
\cue. (See attached file)
What I still don't get, is what happens when I start voiceB with
\clef "bass"
Joei
Johannes Roeßler <j...@joei.de> writes:
Hi Guys,
sort of an didactic question. Maybe I was tired or just stupid - I
forgot about the \killCues command and tried to build this on my own.
So - that means I know (now) the correct way to get rid of the cues -
but I'd still like to know where I was wrong with my idea:
\version "2.19.58"
\language "deutsch"
----8<--------------
voiceA = \relative c' {
g8 a h c d e e e e2 e
}
voiceB = \relative c' {
%\clef "bass"
\tag #'voice {
\new CueVoice {\set instrumentCueName = "Voice A"}
\cueDuringWithClef #"voiceA" #UP #"treble" { r2 r2 }
}
\tag #'partitur { r1}
a1
}
\addQuote "voiceA" {\voiceA}
<<
\voiceA
\removeWithTag #'partitur { \voiceB}
Your example contains cut marks in the middle of the example and
non-breaking spaces. If you cannot teach your mail client to keep
spaces as-is, try attaching the file instead.
1) This example nearly works - but the "a1" in voiceB will be printed
small like a cue note. No idea why.
The documentation states in the section about \cue:
File: lilypond-notation.info, Node: Formatting cue notes, Prev: Quoting other
voices, Up: Writing parts
[...]
Note: When a ‘Voice’ starts with ‘\cueDuring’, as in the
following example, the ‘Voice’ context must be explicitly
declared, or else the entire music expression would belong to
the ‘CueVoice’ context.
voiceA = \relative c' {
a1 g8 a h c d e e e e2 e
}
voiceB = \relative c' {
\clef "bass"
\tag #'voice {
a1
\new CueVoice {\set instrumentCueName = "Voice A"}
\cueDuringWithClef #"voiceA" #UP #"treble" { r2 r2 }
}
\tag #'partitur { r1}
a1
}
\addQuote "voiceA" {\voiceA}
<<
\voiceA
\removeWithTag #'partitur { \voiceB}
>>
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