Here an arbitrary example as I use it
\version "2.19.2"
test = {
{
<a b d>8 g' %1. quarter note
\times 2/3{d,^" P " (c)^" H" (d)} %2. quarter note
<d g> g %3. quarter note
d^" P" (c) | %4. quarter note
<f a c d> g' %5. quarter note
\times 2/3{gis,^" H " (f)^" P" (g)} %6. quarter note
<gis ais d> g %7. quarter note
<d' b g>8 g %8. quarter note
{g,8^" H" (a)} <d b g>8 [g]
} }
\score {
<<
\new Staff {
\tempo "Thema"
%\accidentalStyle dodecaphonic
%\accidentalStyle modern
\relative c''{
\test
} }
\new TabStaff {
\key g \major
\tabFullNotation
\stemDown
{
<a b d>8 g' %1. quarter note
\times 2/3{d^" P " (c)^" H" (d)} %2. quarter note
<d g> g %3. quarter note
d^" P" (c\5) | %4. quarter note
<f a c\5 d'> g' %5. quarter note
\times 2/3{gis,^" H " (f)^" P" (g)} %6. quarter note
<gis ais d> g %7. quarter note
<d' b g>8 g %8. quarter note
% ... etc.
{g,8^"H" (a)} <d b g>8 [g,]
}
}
>>
}
Am 22.12.2017 um 15:19 schrieb Menu Jacques:
> Hello folks,
>
> The LPNR states that:
>
> Hammer-on and pull-off can be obtained using slurs.
>
> \new TabStaff {
> \relative c' {
> d4( e\2)
> a( g)
> }
> }
>
>
> Is that the regular way to write such fretted strings instruments
> music, or is sometimes an H or P placed between the two notes, as
> Finales does (see attached image)?
>
> Thanks for your help!
>
> JM
>
>
>
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
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