Hello,
I am attempting to update and improve the combo template for Lilypond
2.4.
I would like to do the following:
1. update syntax to 2.4
2. breakup template into separate files for each instrument with
score/header file to tie them all together.
3. use make and a makefile to automate creation of scores and part
extraction
4. create a script that would create a directory with the needed files
for combos with various instrumentation
Has anyone done something like this already? Is this worth doing?
I would also like to create an include file (see below) with guitar
chord diagrams. Does anyone have any suggestion for a naming standard
for all of the different forms of the same chord?
% Combo Template for Lilypond 2.4
% define Percussive Arts Society Standard Notation for Drumset
#(define PAS '(
(bassdrum default #f -3)
(lowtom default #f -1)
(snare default #f 1)
(sidestick cross #f 1)
(himidtom default #f 2)
(hightom default #f 3)
(hihat cross #f 5)
(openhihat cross "open" 5)
(closedhihat cross "stopped" 5)
(pedalhihat cross #f -5)
(crashcymbal cross #f 6)
(ridecymbal cross #f 4)
)
)
% guitar chords
% open chords
% major chords
fmaj = ^\markup \fret-diagram #"6-x;5-o;4-3;3-2-(;2-1;1-1-);"
cmaj = ^\markup \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
gmaj = ^\markup \fret-diagram #"6-3;5-2;4-o;3-o;2-o;1-3;"
dmaj = ^\markup \fret-diagram #"6-x;5-x;4-0;3-2;2-3;1-2;"
amaj = ^\markup \fret-diagram #"6-x;5-o;4-2;3-2;2-2;1-o;"
emaj = ^\markup \fret-diagram #"6-o;5-2;4-2;3-1;2-o;1-o;"
bmaj = ^\markup \fret-diagram #"6-x;5-x;4-4;3-4;2-4;1-2;"
% minor chords
dmin = ^\markup \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-1;"
amin = ^\markup \fret-diagram #"6-x;5-o;4-2;3-2;2-1;1-o;"
emin = ^\markup \fret-diagram #"6-o;5-2;4-2;3-o;2-2;0-o;"
% definitions
\header {
title = "Template"
subtitle ="Sub Title"
composer = "Me"
meter = "moderato"
piece = "rock"
tagline = "Lilypond example file for rock combo"
}
global = {
\time 4/4
}
Key = {
\key c \major
}
sl = {
\override NoteHead #'style = #'slash
\override Stem #'transparent = ##t
}
nsl = {
\revert NoteHead #'style
\revert Stem #'transparent
}
% rhythm guitar
rhythmgtr = \relative c'' {
\Key
\sl
b4 \cmaj b b b
b4 \fmaj b b b
b4 \gmaj b b b
b4 \cmaj b b b
\nsl
}
harmony = \chordmode {
c1 f1 g1 c1
}
% piano
upperOne = \relative c'' {
g1
c1
d1
g,1
}
upperTwo = \relative c'' {
e,1
a1
b1
e,1
}
lowerOne = \relative c {
g'1
c1
d1
g,1
}
lowerTwo = \relative c {
c1
f1
g1
c,1
}
% bass guitar
bass = \relative c {
\clef bass
c4. g'8 bes c bes g
f,4. c'8 ees f ees c
g4. d'8 f g f d
c1
}
% drumset
drumsetUp = \drummode {
hh8 hh < hh sn >8 hh hh hh < hh ss >8 hho
hh8 hh < hh sn >8 hh hh hh < hh ss >8 hho
hh8 hh < hh sn >8 hh hh hh < hh ss >8 hho
hh8 hh < hh sn >8 hh hh hh < hh ss >8 hho
}
drumsetDown = \drummode {
bd4. bd8 bd4 r4
bd4. bd8 bd4 r4
bd4. bd8 bd4 r4
bd4. bd8 bd4 r4
}
\score {
\new StaffGroup <<
<<
\context ChordNames {
\set chordChanges = ##t
\harmony
}
\context Staff = one \rhythmgtr
\set Staff.instrument = #"Guitar"
>>
\new PianoStaff <<
\set PianoStaff.instrument = #"Piano"
\new Staff <<
\global
\Key
\clef treble
{ \upperOne } \\
{ \upperTwo }
>>
\new Staff <<
\global
\Key
\clef bass
{ \lowerOne } \\
{ \lowerTwo }
>>
>>
\new Staff <<
\set Staff.instrument = #"Bass"
\global
\bass
>>
\new DrumStaff <<
\set Staff.instrument = #"Drums"
\global
\set DrumStaff.drumStyleTable = #(alist->hash-table PAS)
\new DrumVoice { \voiceOne \drumsetUp }
\new DrumVoice { \voiceTwo \drumsetDown }
>>
>>
\layout { }
}
_______________________________________________
lilypond-user mailing list
[EMAIL PROTECTED]
http://lists.gnu.org/mailman/listinfo/lilypond-user
