Helmut Kohl (long time German chancelor) was once heard to say: "What
counts is what comes out at the other end." Do not think, try this and
look what comes out at the end:
\version "2.19.80"
upper = \relative c'' {
\clef treble
\time 5/4
\slurUp des,4( \pp\< % 1st note of array
\tuplet 3/2{
<bes % 2nd note of 1st array
e'>8 %1st not from second row retrograde
<c''%1st symetrical of second row ret
ees,,>\!\> %1st symetrical of 1st row
ges)\!\< %2nd sym of 1st row
}
\slurDown
\tuplet 3/2{
<a,,( % 3rd of 1st row *
a'>^"rall -" % 2nd of 2nd row ret $
<g' % 3rd sym of 1st row @@
g'>\!\mp\> % 2nd sym of 2nd row ret &&&
d' \fermata % 3rd note of sec row ret & symetry $ / &&&
% aes''>
}
\tuplet 4/4{
r16
e des ees\!
}
<b,) %5th note 1st row
des'
bes>4\pp
}
lower = \relative c {
\clef bass
\time 5/4
r4
r4
r4
r4
r8
e4\pp
}
\score {
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout { }
\midi { }
}
Am 10.12.2017 17:45, schrieb Vivyan:
I thought it would make sense to have 3 over four quarter notes rather
than
half notes?
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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