2016-11-05 13:46 GMT+01:00 Thomas Morley <thomasmorle...@gmail.com>:
> 2016-11-05 12:39 GMT+01:00 Malte Meyn <lilyp...@maltemeyn.de>:
>>
>>
>> Am 04.11.2016 um 23:15 schrieb Tobin Chodos:
>>>
>>> What's the best way to handle a percussion part that has a lot of
>>> pitched and un-pitched material?
>>
>>
>> You could have a “pitched” Staff accept not only “pitched” Voices but also
>> DrumVoices:
>>
>> \version "2.18.2"
>>
>> \new Staff \with {
>> \accepts DrumVoice
>> } \relative {
>> c' d e f
>> \new DrumVoice \drummode {
>> bd hh sn hh
>> }
>> g a b c
>>
>> }
>
>
> Hi Malte,
>
> this will fail if the DrumVoice is created before Voice, uncomment
> Voice to make it work.
>
> \new Staff \with { \accepts DrumVoice }
> \relative {
> %\context Voice { <> }
> \context DrumVoice \drummode { hh4 hh hh hh }
> g a b c
> }
>
> Cheers,
> Harm
Better and with clefs:
\new Staff \with { \accepts DrumVoice }
\context Voice
\relative {
\context DrumVoice \drummode {
\set Staff.clefPosition = #0
\set Staff.clefGlyph = #"clefs.percussion"
hh4 hh hh hh
}
\clef treble
g a b c
\context DrumVoice \drummode {
\set Staff.clefPosition = #0
\set Staff.clefGlyph = #"clefs.percussion"
hh4 hh hh hh
}
\clef treble
g a b c
}
Cheers,
Harm
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
