Malte Meyn <lilyp...@maltemeyn.de> writes: > Am 18.08.2016 um 14:16 schrieb Mark Knoop: >> Could you both take a look at this and see (a) if it helps, and (b) >> what else needs to be achieved. > > I didn’t read the whole thread but how to deal with different clefs? > For example, in a choir a tenor is notated with \clef "treble_8" but a > tenor/bass combined staff with \clef "bass". This case isn’t a problem > because lilypond uses the clef of the bass voice (two \clef events at > the same time, second one is used). But maybe there are cases where > you would want have the clef of the upper voice (f. e. horns in > octaves, one in treble, one in bass clef, combined in treble clef with > ledger lines for the lower horn)?
So? The whole point of the layers is that you (more or less fully) prepare both a split and a combined version and LilyPond then picks the right layer. Split and combined layer don't need to have the same source and/or overrides: you can use an alto clef for the combined version and violin/bass clefs for the split version if you want to. Of course you will _largely_ want to share the same source, and tags, variables, and parallel music expressions will help with that. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
