Am 21. Februar 2016 08:25:22 MEZ, schrieb Carl-Henrik Buschmann <[email protected]>: >I found that it was >\slashedGrace {b8} >that caused the whole double time signature thing. I can only assume it >is a bug. I still need a acciaccatura though. Any thoughts?
This is one of the *oldest* and most embarassing bugs, yes. What you need to do is put a grace construct in *every* context, using spacer tests to make it invisible. E.g. \grace s8 HTH Urs > > >Med vennlig hilsen, >Carl-Henrik Buschmann >Lektor > > >> 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann ><[email protected]>: >> >> Hi guys, >> >> I'm trying to learn how to use lilypond to typeset orchestral >material. Handling large projects is fun but good documentation >regarding this is hard to come by. I'm still a lilypond novice and my >Google-Fu has let me down, I need help. >> >> I'm using my own orchestration which i engraved in Sibelius a while >back. >> >> This is my original sibelius score i.e.: the "ideal": >> http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png> >> >> And this is my lilypond output so far: >> http://i.imgur.com/g2OL258.png <http://i.imgur.com/g2OL258.png> >> >> 2) This is the wierdest thing. Double up of time, clef and tempo, >what is on earth have i done wrong? >> > > > >------------------------------------------------------------------------ > >_______________________________________________ >lilypond-user mailing list >[email protected] >https://lists.gnu.org/mailman/listinfo/lilypond-user -- Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet. _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
