Hello Robert,
I use the following, but I don’t know how to add the arrows:
\version "2.19.30"
\relative {
\clef "bass"
\key c \major
\numericTimeSignature\time 4/4
\tempo \markup {
\concat {
"le double plus lent "
\smaller \general-align #Y #DOWN \note #"4" #1 " = "
\smaller \general-align #Y #DOWN \note #"2" #1
" précédente = 104"
}
}
r4 ^\markup{\bold "solo"} r8 e8 -\markup{\italic "doux" \dynamic "mf"} (
\acciaccatura {
g8
} f8 [ e8 ) ] r8 e8 ( | % 163
\acciaccatura {
g8
} f8 [ e8 ) ] r8 e8 ( \acciaccatura { g8 } f8 [ e8 ) ] \acciaccatura { g8 }
f8 [ ( e8 )
] | % 164
\acciaccatura { g8 } f8 ( [ e8 ) ~ ] e4 r2 \break | % 165
}
> Le 13 nov. 2015 à 08:51, Robert Schmaus <robert.schm...@web.de> a écrit :
>
> I've done something similar using an ossia staff some time ago. That's
> definitely a way.
>
> My solution (which was for drums) looked like this (I can't tell you right
> now, where I got the arrowed slur commands from - but that's probably easy to
> find):
>
> FullDrums = <<
>
> \new DrumStaff = "main" <<
>
> \new DrumVoice { \voiceOne \DrumsUp }
> \new DrumVoice { \voiceTwo \DrumsDown }
>
> >>
> {
>
> \new DrumStaff \with {
> alignBelowContext = "main"
> \remove Time_signature_engraver
> \remove Clef_engraver
> \remove Bar_number_engraver
> \remove Bar_engraver
> \override StaffSymbol.line-count = #0
> fontSize = #-4
> \override StaffSymbol.staff-space = #(magstep -3)
> \override StaffSymbol.thickness = #(magstep -3)
> }
> {
> \new DrumVoice \drummode {
>
> s1 * 2
> s2
>
> \arrowed-slur-outside-staff
> \slurDown
> s2. \tuplet 3/2 { sn8 sn sn ( }
> \noBreak
> sn8[ ) sn sn] \stopStaff
> }
> }
> }
>
> >>
>
> That is of course not compilable - just to show how I did it ...
>
> Best, Robert
>
>
> ______
>
> Truth does not change according to our ability to stomach it.
> -- Flannery O'Connor
>
> On 13 Nov 2015, at 06:34, Andrew Bernard <andrew.bern...@gmail.com
> <mailto:andrew.bern...@gmail.com>> wrote:
>
>> The attached image shows a tempo equivalence markup I need to set,
>> indicating that a 32 in the context of the preceding 5/4 tuplets now equals
>> a 16. The partial tuplet bracket seems complicated to do, and I don’t really
>> know how to set this fragment of combined partial music and text. The matter
>> is complicated by the fact that I use a custom music font, and worse still
>> (!) with notehead glyphs that are specially customised also to achieve the
>> very precise appearance the composer requires. So just using \note and so on
>> is not what I need. Would this be best done as a type of ossia?
>>
>> Any help appreciated.
>>
>>
>> Andrew
>>
>> <tempo-equivalence.jpg>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org <mailto:lilypond-user@gnu.org>
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>> <https://lists.gnu.org/mailman/listinfo/lilypond-user>
> <tempo-equivalence.jpg>_______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
