On 02/10/2015 08:58, N. Andrew Walsh wrote:
do I enter the transposing instruments into the score in concert pitch
or transposed? Can Frescobaldi (my editor of choice) take an entire
Voice and transpose it into concert pitch after I've edited, or should
I enter the content in concert pitch (transposing back into C on the
fly as I type)?
Playing trombone as I do, I get parts in any combination of bass clef,
tenor clef, or treble/Bf. I need some sort of convention to avoid
getting messed up, and the obvious one for me is:
All parts are entered as variables. All parts are copied in in the pitch
they are written. All parts are wrapped in a transpose to make the
variable concert pitch. So the notes are entered as either
voiceTromboneI = \transpose c' bf { c e g }
or
voiceTromboneI = \transpose c' c' { bf d f }
When outputting a treble clef part I can then do the following no
problem ...
\transpose bf c' \voiceTromboneI
Cheers,
Wol
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