%% I need a tie between the second note of the first triplet and the first note of the second triplet, %% and I need the notehead of the d (upper note at first position) to be a half note. %% superimposing the half note and the triplet note gives the full head, not the hollow head. %% Can this be accomplished also.
%% And thanls for the great help am getting here.
%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.19.27"
lower = \relative c' {
\clef bass
\key g \major
\time 2/4
<< {\tuplet 3/2 {d,8 b' g'} \tuplet 3/2 {b,8 b g'}}\\
\shiftOnn \override NoteColumn.force-hshift = -0.5 <d, g,>2 >>
}
\score {
<<
\new Staff {
\lower
}
>>
}
> On 16 Sep 2015, at 12:17, Malte Meyn <lilyp...@maltemeyn.de> wrote:
>
>
>
> Am 16.09.2015 um 11:50 schrieb Erich Neuwirth:
>> Thank you!
>> I still would like something more.
>> In the score I am using as stating point,
>> the g’s at the first position of the triplets and the g’s of \voiceFour
>> have a common notepad and the notes of the lowest voice
>> are slightly shifted to the right.
>> Can this be accomplished also?
>>
> Yes. Put
>
> %%%
> \shiftOnn
> \override NoteColumn.force-hshift = 0.5
> %%%
>
> in front of the b8 r c r. I don’t like force-hshift because LilyPond cannot
> find the “best choice”. But I have little experience with polyphony and
> therefore I don’t know a better solution.
signature.asc
Description: Message signed with OpenPGP using GPGMail
_______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
